Imperial Debris redirects critical focus from ruins as evidence of the past to "ruination" as the processes through which imperial power occupies the present. Ann Laura Stoler's introduction is a manifesto, a compelling call for postcolonial studies to expand its analytical scope to address the toxic but less perceptible corrosions and violent accruals of colonial aftermaths, a...(展开全部)

Sarah Chauncey has written and edited in nearly every medium for over 25 years. She’s been a writer, interviewer, and producer (MTV Networks/VH1, Comedy Central, MuchMusic, Alliance Atlantis) and a web content director/ghostwriter. Her writing has been featured in EckhartTolle.com, Modern Loss, and Lion’s Roar. She lives on Vancouver Island in British Columbia. Learn more at sa...(展开全部)

28歳処女と52歳大学教授の恋。 貴和子は、ある日同じマンションの隣室ベランダでタバコを吸う男に出会う。 52歳、気だるげな大学教授、縫原。 バレエダンサーの道を諦め、バレエ講師として日々を過ごす貴和子に、彼は誠実な言葉で語りかける。 今まで恋愛を避けてきた貴和子の心に火がともり…

28歳処女と52歳大学教授の恋。 貴和子は、ある日同じマンションの隣室ベランダでタバコを吸う男に出会う。 52歳、気だるげな大学教授、縫原。 バレエダンサーの道を諦め、バレエ講師として日々を過ごす貴和子に、彼は誠実な言葉で語りかける。 今まで恋愛を避けてきた貴和子の心に火がともり…

托妮•莫里森（Toni Morrison） 美国著名女作家。1931年生于俄亥俄州，曾在兰登书屋担任高级编辑，后赴普林斯顿大学等校任教。代表作有《最蓝的眼睛》《所罗门之歌》《宠儿》《爵士乐》《爱》《恩惠》等，囊括普利策小说奖、美国国家图书奖、全美书评家协会奖三项美国最重 要的图书大奖，并有多部作品入选“《纽约时报》年度图书”。1993年，荣获诺贝尔文学奖。 莫里森善于博采众长，巧妙地将现实主义与多种叙事技巧相融合：魔幻、荒诞、象征、神话、寓言、隐喻、意识流……“她是一名出色的手艺人，她的伟大创新可与福克纳、马尔克斯、伍尔夫相媲美，这就是她获得诺贝尔文学奖的原因。” 我只有二十六个字母，我必须用我的技巧使读者看到颜色，听到声音。——托妮•莫里森 她的每一部小说里，爱都是那么艰难、复杂而浓烈。——美国前第一夫人 凯瑟琳•布什

Love (2003) is the eighth novel by Toni Morrison. In her non-linear style, the lives of several women and their relationships to the late Bill Cosey unfold. Love is the story of Bill Cosey, a charismatic but dead hotel owner. Or rather, it is about the people around him, all affected by his life — even long after his death. The main characters are Christine, his granddaughter a...(展开全部)

May, Christine, Heed, Junior, Vida - even L - all women obsessed by Bill Cosey. More than the wealthy owner of the famous Cosey Hotel and Resort, he shapes their yearnings for father, husband, lover, guardian, friend, yearnings that dominate the lives of these women long after his death. Yet, while he is both the void in, and the centre of, their stories, he himself is driven b...(展开全部)